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Improvising on Electric Bass
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Vous avez sélectionné:
Improvising on Electric Bass
Partitions à imprimer
14 partitions trouvées
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1
Soloing on Electric Bass
Soloing on Electric Bass
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Basse electrique
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INTERMÉDIAIRE
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Methodes
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Jason Raso
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Soloing on Electric Bass
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Electric bass - Intermediate - Composed by Jason Raso. ALL. E-book. 52 pages. Mel Bay Publications - Digital Sheet Music #30798EB. Published by Mel ...
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Electric bass - Intermediate - Composed by Jason Raso. ALL. E-book. 52 pages. Mel Bay Publications - Digital Sheet Music #30798EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119994.
Jason Rasos Soloing on Electric Bass: A Chord Tone Approach provides the next step following his first book for Mel Bay Publications, Improvising on Electric Bass. The primary focus of this second book is to help you develop a more melodic approach to solo bass playing. The author suggests avoiding root notes, concentrating instead on chord tones of a 3rd, 5th, and 7th as fertile ground to begin revising your approach to more creative soloing. Following a series of standard notation exercises exploring intervals and goal notes in all keys, Jason presents a dozen original solo etudes in notation and tablature.
$14.99 ≈
13.99€
Bass Improvising: for Upright or Electric Bass
Bass Improvising: for Upright or Electric Bass
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Basse electrique
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DÉBUTANT
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Rock
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Improvising
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Bass Improvising: for Upright
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Rock. Licks & Improvising. E- book. 97 pages. Mel Bay Publications - Digital Sheet Music #93491EB. Published by Mel Bay Publications - Digital Shee...
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Rock. Licks & Improvising. E- book. 97 pages. Mel Bay Publications - Digital Sheet Music #93491EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459769. 8.75x11.75 inches.
Improvisational patterns based on scale tones are developed in jazz, rock, Latin, country, and blues styles. This book will start your way to effective improvisation.
$19.99 ≈
18.66€
Improvising on Electric Bass
Improvising on Electric Bass
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Basse electrique
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FACILE
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Methodes
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Jason Raso
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Improvising on Electric Bass
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
A Chord Tone Approach. Composed by Jason Raso. Technique, Theory and Reference. Chord. E-book. Mel Bay Publications - Digital Sheet Music #30694EB. ...
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A Chord Tone Approach. Composed by Jason Raso. Technique, Theory and Reference. Chord. E-book. Mel Bay Publications - Digital Sheet Music #30694EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118423.
The primary goal of this book is to help improve your chord spelling and fingerboard knowledge. Mastering chord tones will help you build more interesting bass lines. In addition, greater harmonic awareness will help you become a stronger writer, improviser, and soloist.
$14.99 ≈
13.99€
Six Modern Electric Bass Studies
Six Modern Electric Bass Studies
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Basse electrique
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INTERMÉDIAIRE/AVANCÉ
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Bryan Hooley
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Six Modern Electric Bass Studi
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Crux Music Services
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SheetMusicPlus
Bass Guitar - Level 4 - SKU: A0.1302768 Composed by Bryan Hooley. 20th Century,Contemporary,Contest,Festival,Funk,Rock. Score. 14 pages. Crux Music Serv...
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Bass Guitar - Level 4 - SKU: A0.1302768 Composed by Bryan Hooley. 20th Century,Contemporary,Contest,Festival,Funk,Rock. Score. 14 pages. Crux Music Services #892391. Published by Crux Music Services (A0.1302768). The bass guitar is not often considered to be a soloist's instrument, but this collection of studies in a variety of styles gives the bassist a chance to shine outside the confines of an ensemble. They range from lower intermediate to difficult and complex, with emphasis here on natural and pinch harmonics and chords, and there on funk figures, fingerstyle playing and classical guitar references. One even uses a looper and allows for melodic improvisation. Patient work on these pieces will introduce the soloist to a number of different techniques and will bring musical rewards.The pieces are presented in tradional notation and in bass tablature formats.
$30.00 ≈
28.00€
Hold On
Hold On
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Rock
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Kansas
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Michael A
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4! 
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Hold On
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Michael A. Silvestri
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.887146 By Kansas. By Kerry Livgren. Arranged by Michael A. Silvestri. Rock. Score and parts. 24 pages. Michae...
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Guitar Ensemble Guitar - Level 3 - SKU: A0.887146 By Kansas. By Kerry Livgren. Arranged by Michael A. Silvestri. Rock. Score and parts. 24 pages. Michael A. Silvestri #3861849. Published by Michael A. Silvestri (A0.887146). Add a special performance selection to your ensemble's next concert with a great classic Kansas song - Hold On! This arrangement of this hit from the 1980's features 4 guitars, violin, and electric bass and also features an improvisation section to feature your advanced students! The arrangement holds true to the original and it can be performed with classical, acoustic, and or electric guitars or it can be performed without the violin and bass parts if desired. Perfect choice for any performance with nice position work for guitar parts 1, 2 & 4! .
$19.99 ≈
18.66€
Haiku by The Khromatiks, for Electric Violin & Loop Station
Haiku by The Khromatiks, for Electric Violin & Loop Station
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Kayleigh Moyer, Kyle Pudenz, a
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improvised 
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Haiku by The Khromatiks, for E
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ViolinVagabond Music
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SheetMusicPlus
Electric Violin,Instrumental Solo - Level 4 - SKU: A0.845981 Composed by Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz...
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Electric Violin,Instrumental Solo - Level 4 - SKU: A0.845981 Composed by Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz,New Age. Individual part. 8 pages. ViolinVagabond Music #6017039. Published by ViolinVagabond Music (A0.845981). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2014. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boomerang III loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 3 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you use an octave pedal to record the low bass lines. A standard 4-string can also work, although some phrases will have to be transposed 8va.A little about this tune: a Haiku is characterized by a pattern of 5-7-5 syllables, and in this piece that refers to the meters used in each of the overarching sections. The ambient intro in 5/8 involves a quartal ostinato with long sweeping volume swells, which then develops into a pizzicato groove in 7/8. This groove forms the basis for the majority of the tune, as melodies & improvised solos drift in and out over an A and B section loop. On the final B section, the loop drops out and the violinist builds up into a more distorted strum bowing groove (which accompanies a drum solo on the original recording). As the intensity builds, the 7/8 groove is shortened back into 5/8, thus completing the Haiku. The piece ends with a restatement of the original ostinato as it fades into silence using an automated volume fade on the looper pedal.With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. If you have a looper capable of syncing to a click track, you could also try adding bass or guitar/keyboards (players can read the chord symbols on the chart as a lead-sheet). The sky is the limit, feel free to get creative with it!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99 ≈
7.46€
He Leadeth Me - Vocal Quartet with Accompaniment
He Leadeth Me - Vocal Quartet with Accompaniment
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Chorale TTBB
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FACILE
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Joseph H
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Robert E
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He Leadeth Me - Vocal Quartet
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R. E. Proctor
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.809841 Composed by Joseph H. Gilmore (lyrics) and William B. Bradbury (music). Arranged by Robert E. Proctor. Ch...
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Choral Choir (TTBB) - Level 2 - SKU: A0.809841 Composed by Joseph H. Gilmore (lyrics) and William B. Bradbury (music). Arranged by Robert E. Proctor. Christian,Contemporary,Pop,Sacred. Octavo. 58 pages. R. E. Proctor #3557611. Published by R. E. Proctor (A0.809841). A classic hymn of the Christian faith by Joseph H. Gilmore (lyrics) and William B. Bradbury (music) arranged here for two tenors, baritone, and bass with accompaniment. The 1st tenor part is relatively high, so an alto part is included if needed. Although conceived as a vocal quartet it could also be performed by a choir. Similarly, a quintet or string orchestra can play the strings parts. The double bass part could also be played on electric bass if needed. As in all my arrangements, the drum part is a suggested pattern to be improvised on by the percussionist.
$5.95 ≈
5.55€
Favorite Theme From Rachmaninoff S Second Piano Concerto
Favorite Theme From Rachmaninoff S Second Piano Concerto
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Ray Conniff
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Gerhard Guter
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Favorite Theme From Rachmanino
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Gerhard Guter
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.844248 Composed by Ray Conniff. Arranged by Gerhard Guter. A Cappella. 14 pages. Gerhard Guter #4302845. ...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.844248 Composed by Ray Conniff. Arranged by Gerhard Guter. A Cappella. 14 pages. Gerhard Guter #4302845. Published by Gerhard Guter (A0.844248). Voicing: SATB a cappella, with rhythm section (piano, electric bass, drums) Style: Bossa Nova This arrangement of Ray Conniff's Favorite Theme from Rachmaninoff's Second Piano Concerto will bring to mind the writing style of Clare Fischer for his 2+2 vocal groups. Though still a challenge, especially with the optional vocal soli, this Conniff-themed edition has been adapted from a more difficult version previously performed by Vocalogy on their 2005 Distilled release. The piece opens with a pulsating rhythm section figure as pianist, bassist, and drummer enter one by one. The wonderful moments of tension have been maintained beneath Rachmaninoff's soaringly romantic melody, and the wordless vocal provides an ethereal quality. With the optional soli, this is an Advanced level arrangement. There is room for improvising regardless of whether or not the soli is performed and, with no soli, this is an Advanced Intermediate arrangement. Included individual piano, bass, and drum parts play from individual parts with chord symbols, slashes, and rhythmic notation. Drums alternate between brushes and sticks. Electric bass is preferred, but acoustic bass works. Backing tracks available from: http://tiny.cc/mpnsuz
$3.99 ≈
3.72€
Lullaby Of Birdland
Lullaby Of Birdland
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Jazz
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George Shearing
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Serena Rose
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Lullaby Of Birdland
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Serena Rose Music
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SheetMusicPlus
Large Ensemble Alto Saxophone,Double Bass,Drums,Electric Bass Guitar,Piano Accompaniment,Trombone,Trumpet,Voice - Level 3 - SKU: A0.1032048 Composed by ...
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Large Ensemble Alto Saxophone,Double Bass,Drums,Electric Bass Guitar,Piano Accompaniment,Trombone,Trumpet,Voice - Level 3 - SKU: A0.1032048 Composed by George Shearing. Arranged by Serena Rose. Jazz. Score and parts. 25 pages. Serena Rose Music #4313909. Published by Serena Rose Music (A0.1032048). This playful arrangement of Lullaby of Birdland by George Shearing (concert Ab) for voice and 3 horn ( alto sax, trumpet, trombone, piano, bass, and drums ) is unique from many arrangements of this jazz standard by weaving complimentary melodies around the vocal melody, giving this piece a welcome breath of fresh air. The 10-bar intro has a rhythmic push in the piano reminiscent of Jamiroquai’s Virtual Insanity that intensifies the listener’s anticipation to hear the first few notes of this familiar tune in a new and unique context. Returning back to the head via a simple D.S. enables instrumentalists to easily focus on solos rather than the form. The 2-bar rhythm-section outro concludes the piece precisely and cleanly and takes the listener back to the time when jazz bands were first cooking up storms on the dance floors. Though cited with tempo at a quarter note = 160 bpm, this arrangement works well at any bpm between 140 and 170.Other than for the introduction and the ending, the piano part includes chords and rhythmic notation throughout for easy improvisation. The bass part includes both an intermediate-advanced written part and chords throughout, thus accommodating bassists at all skill levels and/or those who would prefer to play a combination of written and improvised bass lines. The drum chart is to be improvised throughout; however, it includes suggested rhythmic ideas and indicates key points in the arrangement such as horn hits, repeats, and fills. PLEASE NOTE: For ease of identifying parts, the forthcoming audio clip furnishes a piano playing the vocal melody. The piano chart does not include the melody. About the Arranger: Serena Rose is a professional musician who performs weekly in the greater Los Angeles area. She has a master's in music composition and has composed three large works for the Orange Coast College Wind Ensemble as well as various smaller ensembles based in Los Angeles.
$50.00 ≈
46.67€
Tequila
Tequila
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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The Champs
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Musiscorz
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Tequila
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Musiscorz
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.586436 By The Champs. By Chuck Rio. Arranged by Musiscorz. 20th Century,Contemporary,Jazz,Latin,Rock. Sc...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.586436 By The Champs. By Chuck Rio. Arranged by Musiscorz. 20th Century,Contemporary,Jazz,Latin,Rock. Score and parts. 83 pages. Musiscorz #195725. Published by Musiscorz (A0.586436). A band arrangement of the classic Saxophone feature by Chuck Rio and performed by The Champs. The sheet music is a transcription and arrangement including a Latin feel middle section. The rhythm section parts have chords for those wanting to vamp and for school bands there are written out scores. This arrangement is for a Saxophone section and for the line up I run which includes a Micro Korg Synth, a Nord and a Stage piano allowing for a versatility when arranging. The original has some closed string Guitar work as well as the lead line that dominates the song. I am performing this soon complete with the Whistles heard in the Latin Middle section. There is a written Lead Alto Solo which can also be improvised over for those band leaders that have band members interested. To listen to the 3 minute arrangement, it can be found on my You Tube channel by clicking on the link. Arrangement line up: Alto Saxes 1/2/3, Tenor Saxes 1/2, Baritone Sax, Micro Korg Hammond Organ, Electric Piano, Piano, Lead Guitar 1, Guitar 2, Electric Bass, Hand Claps, Whistle, Cow Bell, Drum Kit.
$49.99 ≈
46.66€
Tuesday's Gone
Tuesday's Gone
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Lynyrd Skynyrd
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Michael A
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Tuesday's Gone
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Michael A. Silvestri
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.1203146 By Lynyrd Skynyrd. By Allen Collins and Ronnie Van Zant. Arranged by Michael A. Silvestri. Country,Ro...
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Guitar Ensemble Guitar - Level 3 - SKU: A0.1203146 By Lynyrd Skynyrd. By Allen Collins and Ronnie Van Zant. Arranged by Michael A. Silvestri. Country,Rock. Score and parts. 52 pages. Michael A. Silvestri #801822. Published by Michael A. Silvestri (A0.1203146). Tuesday’s Gone, the classic rock song by Lynyrd Skynyrd, has been arranged for Guitar Ensemble! This arrangement is a perfect choice for your Spring or Winter Concerts as well as for recruitment assemblies. Feel free to use classical, acoustic and electric guitars in exciting combinations to motivate your students! The arrangement features an open improvisation section, opportunities to feature your advanced players playing solo melodies, string quartet accompaniment and a bass part which can be played on electric or upright. The arrangement can be performed with or without the string quartet if desired. The arrangement captures the beauty and poignancy of the original and concludes with a transcription of Gary Rossington’s soaring guitar solo harmonized in a dual lead style that is sure to leave your audiences wanting more!
$24.99 ≈
23.32€
Space Oddity
Space Oddity
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Rock
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David Bowie
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Chip Prince, Charles Beale
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Space Oddity
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Chip Prince
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.997353 By David Bowie. By David Bowie. Arranged by Chip Prince, Charles Beale. Pop,Rock. Octavo. 12 pages. Chip ...
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Choral Choir (TTBB) - Level 4 - SKU: A0.997353 By David Bowie. By David Bowie. Arranged by Chip Prince, Charles Beale. Pop,Rock. Octavo. 12 pages. Chip Prince #5302967. Published by Chip Prince (A0.997353). Space Oddity is a classic David Bowie hit from 1969. This exciting arrangement for men's voices and piano evokes both the folk-guitar style of the opening verse and the outer-spacey feel of some of the passages later on, inviting some group vocal improvisation. Your pianist will have a fun time with this one! Optional solos for a tenor and a bass. Contact the arrangers for band parts: piano, solo guitar, rhythm guitar, electric bass, and drum set.
$1.99 ≈
1.86€
Route 66
Route 66
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Chorale SATB
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FACILE
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Manhattan Transfer
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Roger Emerson
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Route 66
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EMERSONGS
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1208134 By Manhattan Transfer. By Bobby Troup. Arranged by Roger Emerson. Blues,Contemporary,Jazz,Standards,Trad...
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Choral Choir (SATB) - Level 2 - SKU: A0.1208134 By Manhattan Transfer. By Bobby Troup. Arranged by Roger Emerson. Blues,Contemporary,Jazz,Standards,Traditional. Octavo. 9 pages. EMERSONGS #806250. Published by EMERSONGS (A0.1208134). This timeless classic is an SATB revoicing of Roger's popular 3-part mixed and 2-part arrangements. Straight ahead swing ala the Real Book...a great introduction to 4-part close voiced vocal jazz chords.The scat chorus is written out but may be improvised as desire. Electric or string bass can easily play the walking lines in the left hand of the piano and drums with hi-hat 2&4 and ride cymbal playing quarter note rhythms and/or snaps on 2&4 will lend to the feel.
$2.95 ≈
2.75€
You Guys Are Great - Creative Strings
You Guys Are Great - Creative Strings
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Bradley Sowash
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You Guys Are Great - Creative
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Bradley Sowash
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.750118 Composed by Bradley Sowash. Rock,Standards. Score and parts. 71 pages. Bradley Sowash #23173. Published by B...
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String Orchestra - Level 4 - SKU: A0.750118 Composed by Bradley Sowash. Rock,Standards. Score and parts. 71 pages. Bradley Sowash #23173. Published by Bradley Sowash (A0.750118). Open strings and power chords give this one a raw, rock feel in the style of Smoke on the Water. Remember that us string players were playing gritty sounds sul ponticello long before distorted electric guitars were even invented! Watch/Listen:http://youtu.be/ksMCZkk9UHcAbout Creative Strings Eye players read music. Ear players improvise. Today’s well-rounded students need instruction in both. Creative Strings is a collection of works designed to lead beginning to advanced students through their first experiences as improvisers. Each piece is composed of four parts that can roughly be described as melody, harmony, accompaniment and bass line. All four parts are available for the violin, viola and cello. The bass has one part. An optional piano part is also provided. The the ideal distribution is Vln. 1, Vln. 2, Vla. 3, and Cello 4. However the intentionally redundant parts allow for flexible combinations of instruments. If for example, no violas or cellos are available, a violin choir could still cover the parts. The same would hold true for a non-traditional quartet such as 3 violins and 1 cello or any other grouping. Overlapping parts can also be used to equalize an unbalanced orchestra such as 20 violins and 1 viola player by having some of the violins double the viola part.
$19.99 ≈
18.66€
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